If just capturing scenes in the camera was all it took to make a great video, we’d all have a shot at being Fellini or Zhao. Editing, and its’ fascinating psychological effects, is what makes film narratives sing. But, maybe you don’t want to be Zhao or Fellini (why, are you busy?), you just want to make a video that is engaging and crisp. Understandi
If producers spent nearly as much time actually trying to cultivate it as they do faking it, we might see a lot more of it in corporate videos but authenticity is one of those qualities, like charisma, that is devilishly difficult to define, much less achieve. Yet, it’s considered to be among the most important characteristics of a successful appearance in a video. Almost everyone I talked to w
On the surface (ha), My Octopus Teacher is your typical man meets mollusk love story. But, in terms of film language (below the surface, as it were), there are some very interesting things going on: for starters, it’s almost 95% b-roll with voice-over. The story is told - and we’ll get into the filmmaking aspects of that later - by Craig Foster, a filmmaker*, whose year
As corporate communications diversifies, what should the “Voice of God” sound like? And do we really believe that someone (anyone) can tell us the way the world works? In this episode of Corporate Film School, we address some of the issues confronting the use of voice-over - the (typically) unseen narration heard over images - that sets the tone an
My home control room!
After decades of doing it live in hotel ballrooms all over the world, our client’s global meeting was now going to include 2 global live streams, 14 high-profile webcasts with VIP guest speakers hundreds of Zoom breakouts over 4 days in two time zones … what could possibly go wrong???
Spoiler Alert! PLENTY. And, despite – perhaps even, because of - that, it was a